Tuesday, August 4, 2009

The Making of the RIDLEY SCOTT EPIC - GLADIATOR (2000)

Directed By: Ridley Scott
Cinematography by : John Mathieson


Production design: Arthur Max

In Malta, a replica of about one-third of Rome's Colosseum was built, to a height of 52 feet (15.8 meters), mostly from plaster and plywood (the other two-thirds and remaining height were added digitally). The replica took several months to build and cost an estimated $1 million The reverse side of the complex supplied a rich assortment of Ancient Roman street furniture, colonnades, gates, statuary, and marketplaces for other filming requirements. The complex was serviced by tented "costume villages" that had changing rooms, storage, armorers, and other facilities The rest of the Colosseum was created in CG using set-design blueprints, textures referenced from live action, and rendered in three layers to provide lighting flexibility for compositing in Flame and Inferno.


British post-production company The Mill was responsible for much of the CGI effects that were added after filming. The company was responsible for such tricks as compositing real tigers filmed on bluescreen into the fight sequences, and adding smoke trails and extending the flight paths of the opening scene's salvo of flaming arrows to get around regulations on how far they could be shot during filming. They also used 2,000 live actors to create a CG crowd of 35,000 virtual actors that had to look believable and react to fight scenes. The Mill accomplished this feat by shooting live actors at different angles giving various performances, and then mapping them onto cards, with motion-capture tools used to track their movements for 3D compositing.
An unexpected post-production job was caused by the death of Oliver Reed of a heart attack during the filming in Malta, before all his scenes had been shot. The Mill created a digital body double for the remaining scenes involving his character Proximo by photographing a live action body-double in the shadows and by mapping a 3D CGI mask of Reed's face to the remaining scenes during production at an estimated cost of $3.2 million for two minutes of additional footage.

Director Ridley Scott and Russel Crowe

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